After meeting the young man playing his metal heart out in the middle of downtown Des Moines, I resolved to dig in and find others who really wanted to join with others to explore sonic possibilities.
It wasn’t long before I encountered Tyreece Smith then a 14-year-old vocalist already singing for church services, and his cousin Dajene Brown who lived in the same E. 14th and Walker St. Lee Township neighborhood where I grew up. That once-vibrant area has never recovered from the 1963-4 upheaval wrought by the freeway’s path through the heart of that redlined neighborhood.
Tyreece and Dajene, a budding lyricist, wrote their song HOW I FEEL during our summer workshop. The song held great sincerity and an uncommon maturity that sometimes comes from those who don’t expect themselves to be that good….but they are. The really nice thing was that the entire group (guitarists, keyboardist, trumpet and saxophone players all helped Tyreece and Dajene to arrange the song. Great teamwork all from a group whose average age was 13!
Before long, I was volunteering to give Des Moines kids School of (Rock, Jazz, Blues, Country, Folk and Electronic) experiences which mirrored what I was already teaching my students in Northern California during the regular school year. North High school guitarist Victor Gomez told me straight up: "I want to play the Blues…NOT METAL!!..the Blues is what I want to learn. This from a high school freshman!
Victor was telling me what he wanted in no uncertain terms so while he got to work learning about Bluesmen Sun House and Michael Bloomfield, I met students Tyreece Smith and his cousin Dajene Brown. You will hear more from Victor in the ACCESS DENIED post linked below.
THIS is why I teach. I remember how great it was to have someone sit down and take the time to help me understand [insert subject]. Perhaps the greatest thing you can do for anyone is to take the time to help dispel some ignorance of the heart, the mind, the society.
I spent a portion of my summers from 2009 through 2013 here in Des Moines, doing my best to rekindle a sense of fun and achievement that has always been, and should always be, a part of the creative process.
One more word about teaching in Northern California 1996-2014: Marin county was then-home to musical, literary and digital artists across the spectrum. Our students heard World Music, Jazz, New Age, Blues, Electronic and acoustic singer-songwriters. Marin had them all and celebrated them all.
In our music classes at Marin Academy we nurtured young rock bands, jazz and classical ensembles and in the early 2000’s an acoustic revival of folk and even ukelele-centered little groups would spring up on campus. It was a great scene that drew value almost every form that was out there.
It was tough to come back to Des Moines and see kids who wanted to jam just hanging around with no one to plug them in. Rather than complain or be discouraged, I got to work. Thanks to help from then-first year Principal Matthew Smith we fixed that.
After two more years of summer sessions working with these young creative minds, It was an honor for me to set up my laptop recording studio in the East High band room in 2011 to capture some of the student work you’ll hear in this post. With the help of remote recording engineer, the late great Lee Bell, we pulled off a whirlwind 10-day blur of writing, practicing, arranging, recording and ultimately producing some great student-produced music.
Believe me, these Central Iowa kids from modest backgrounds are blessed with talent and creative instincts that I felt truly honored to uncover. I often wonder about how much we miss when we shut down opportunities for students to express themselves.
I felt compelled to volunteer in Iowa over those years because, frankly, I couldn’t just stand by while a vibrant interdisciplinary environment was being held back from them for reasons both political and resource-wise.
I felt fortunate that I could bring something of value back to Iowa kids whose talents and creative ideas are no less dynamic then their West Coast counterparts. I was personally like a “kid in the candy store” working with Iowa youth who were there just waiting for someone to offer them an opportunity. An opportunity to express themselves and push themselves as a group to create something that didn’t exist before.
It was challenging, and not automatically evident that something great could happen, but as a teaching artist, I know that when you give kids an opportunity for self expression they will exploit it. That’s the heart of Rock’n Roll, man. It’s also the heart of learning.
Production notes: For the song HOW I FEEL, The students decided on a ‘traditional’ repeating four-chord progression [C Major progressing to A minor then to D ending on G] The horn players worked out their parts independently learning a lot about harmony and voicing. The lyrics, written by then-13-year-old Dajene Brown are the expressions of a much older spirit.
Now let’s head over to another RadioDartanyan episode to hear more from these young artists.
Iowa Writers’ Collaborative
Below is a list of the members of the Iowa Writers’ Collaborative. Please support their work by sharing and subscribing. Paid subscribers are invited to attend real-time events and occasional Zoom calls among our writers. Your support keeps this reader-only supported service going.
IOWA WRITERS’ COLLABORATIVE
The Roster of Writers
Nicole Baart: This Stays Here, Sioux Center
Ray Young Bear: From Red Earth Drive, Meskwaki Settlement
Laura Belin: Iowa Politics with Laura Belin, Windsor Heights
Tory Brecht: Brecht’s Beat, Quad Cities
Dartanyan Brown, My Integrated Life, Des Moines
Doug Burns: The Iowa Mercury, Carroll
Jane Burns: The Crossover, Des Moines
Dave Busiek: Dave Busiek on Media, Des Moines
Iowa Writers’ Collaborative, Roundup
Steph Copley: It Was Never a Dress, Johnston
Art Cullen: Art Cullen’s Notebook, Storm Lake
Suzanna de Baca: Dispatches from the Heartland, Huxley
Debra Engle: A Whole New World, Madison County
Daniel Finney, Paragraph Stacker, Des Moines
Arnold Garson: Second Thoughts, Okoboji and Sioux Falls
Julie Gammack: Julie Gammack’s Iowa Potluck, Des Moines and Okoboji
Joe Geha: Fern and Joe, Ames
Jody Gifford: Benign Inspiration, West Des Moines
Rob Gray: Rob Gray’s Area, Ankeny
Nik Heftman: The Seven Times, Los Angeles and Iowa
Beth Hoffman: In the Dirt, Lovilia
Iowa Capital Dispatch, an alliance with IWC
Dana James: Black Iowa News, Iowa
Chris Jones, Chris’s Substack, Iowa City
Pat Kinney: View from Cedar Valley, Waterloo
Fern Kupfer: Fern and Joe, Ames
Robert Leonard: Deep Midwest: Politics and Culture, Bussey
Letters from Iowans, Iowa
Darcy Maulsby: Keepin’ It Rural, Calhoun County
Tar Macias: Hola Iowa, Iowa
Alison McGaughey, The Inquisitive Quad Citizen, Quad Cities
Kurt Meyer: Showing Up, St. Ansgar
Vicki Minor, Relatively Minor, Winterset
Wini Moranville: Wini’s Food Stories, Des Moines
Jeff Morrison: Between Two Rivers, Cedar Rapids
Kyle Munson: Kyle Munson’s Main Street, Des Moines
Jane Nguyen: The Asian Iowan, West Des Moines
John Naughton: My Life, in Color, Des Moines
Chuck Offenburger: Iowa Boy Chuck Offenburger, Jefferson and Des Moines
Barry Piatt: Piatt on Politics Behind the Curtain, Washington, D.C.
Dave Price: Dave Price’s Perspective, Des Moines
Steve Semken, The Pulse of a Heartland Publisher, North Liberty
Macey Shofroth: The Midwest Creative, Norwalk
Larry Stone: Listening to the Land, Elkader
Mary Swander: Mary Swander’s Buggy Land, Kalona
Mary Swander: Mary Swander’s Emerging Voices, Kalona
Cheryl Tevis: Unfinished Business, Boone County
Ed Tibbetts: Along the Mississippi, Davenport
Jason Walsmith, The Racontourist, Earlham
Kali White VanBaale, 988: Mental Healthcare in Iowa, Bondurant
Teresa Zilk: Talking Good, Des Moines
The Iowa Writers Collaborative is also proud to ally with Iowa Capital Dispatch.
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